This summer we’ll celebrate the rich tradition of music across the Celtic realm with tunes from Scotland, Ireland, and Nova Scotia.
Collaborating artist Emily Curtin Culler, soprano, will premiere a new collection of Irish songs and join us in other traditional works specially arranged for this concert.
Picture the scene: The year, 1880-ish. Ballysadare (Irish: Baile Easa Dara) – a tranquil bayside village in County Sligo. The poet William Butler Yeats, who had spent many summers here as a child, returns for another sojourn. In his wanderings about the village, he comes upon an elderly Irish woman who seems to be troubled by a song she can’t remember. As she goes about the duties of her day, she sings the same lines over and over to herself, but can’t remember what comes next…
Down by yon flowery garden my love and I we first did meet.
I took her in my arms and to her I gave kisses sweet
She bade me take life easy just as the leaves fall from the tree.
But I being young and foolish, with my darling did not agree.
Yeats also found her song troubling, but perhaps for different reasons — he wanted to know the rest of the story! In the end, he constructed his own answer by writing a poem based on the few lines the woman could remember. His poem, An Old Song Re-Sung appeared in his 1889 volume “The Wanderings of Oisín and Other Poems”:
Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her would not agree.
In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.
— “An Old Song Re-sung”
Down By the Salley Gardens
W.B. Yeats (1865-1939)
By the time it was published, Yeats had come to realize he’d written a poem about a fairly well-known song. As it turns out, the song the elderly woman was futilely trying to recall was Ye Rambling Boys of Pleasure, but she could only call to mind the second stanza. The similarity between Yeats’ first stanza and the lines of the second stanza of the original song were too close to ignore. To acknowledge his accidental plagiarism, Yeats published his poem under the title An Old Song Re-Sung. However, when it was republished in 1895 it became known as Down By the Salley Gardens, a title which has firmly stuck.
And, the rest is history… except that what really imprinted Yeats’ poem in our hearts was the tune which was eventually married to it in 1909. Sadly, this tune was torn from yet another song (The Mourlough Shore, aka The Maids of Mourne Shore or The Mourne Shore) which will ever be overshadowed by the poem that stole its tune!
A story ripped from its song, turned into a poem, and then married to a tune borrowed from yet another song — what a tangled web! Aside from revealing the transient nature of tunes (which seem to wander effortlessly from poem to poem until they find their true destiny), what might we glean from this fable of tunes and texts? Perhaps the moral is that — in spite of the tune originally given to the words which may have been intended — we cherish more the words we forgot sung to the tune that got away.
In arranging this beloved song for our program, I sought to bring out all the bittersweet feelings from the simple but timeless poetry which Yeats wrote in an effort to finish the story the old lady couldn’t remember. To accomplish this, I call upon the 34 strings of the Irish harp, the mellow breeze of the flute, and the beautiful voice of our special guest soloist, Emily Curtin Culler.
We hope you’ll join us for the premiere!
A CELTIC SUMMERTIDE
Friday, August 17th, at 7:00pm
Oliver Art Center
132 Coast Guard Road
Admission is free.
Freewill donations will benefit Manitou Winds’ debut recording!